T tool 10 mm novo

Equipamento perfeito, estado de novo, sem marcas. A Single-Channel '73 For The Rest Of Us If there?s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the ?Holy Grail? of preamp choices today. The Warm Audio ?WA73 Family? consists of single and dual channel '73-style preamps (with & w/out EQ), that each pay careful homage to British audio history. When we at Warm Audio decided to release the WA73-EQ it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R&D, intense research and countless hours of auditioning, the WA73-EQ was born! The WA73-EQ is a ?Desert Island? boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA73-EQ equally shines on all types of microphones and sources including; vocals, acoustic/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there?s no recording, mixing or engineering task that the WA73-EQ can?t handle. UK Custom Carnhill Transformers Enthusiasts unequivocally get excited about the components used in classic '73-style British preamps. The signal transformers are a common topic of conversation. Vintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions. These are regarded as the most desirable choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them! Warm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful reproductions of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA73-EQ with these beautiful custom Transformers Capacitors & Signal Path An important part of the classic British circuits not often discussed are the different styles of capacitors and output transistor used. We found it important to maintain integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern '73-style reproductions. UK Blore Edwards Switch-Pots A great sounding '73-style circuit should be just as reliable as it is great sounding. The complex dual concentric switch potentiometers in the EQ sections of the WA73-EQ are made in the UK by Blore Edwards who manufacture military spec switches and potentiometers. The use of Blore-Edwards components is no small inclusion for a '73-style preamp-eq in this price range. Hand Wired & Hand Assembled Classic '73-style preamps were often hand-wired and so is the WA73-EQ! Guru?s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build. The WA73-EQ is hand-wired and hand assembled, including the pcb components that are all populated by hand. Technical Specifications SINGLE-CHANNEL, CLASS A, '73-STYLE BRITISH MICROPHONE PREAMP WITH EQ UK MADE CARNHILL TRANSFORMERS UK MADE - BLORE EDWARDS EQ DUAL-CONCENTRIC SWITCH POTENTIOMETERS HAND WIRED, HAND ASSEMBLED 80DB OF GAIN - RESISTOR STEPPED GAIN SWITCH FULLY DISCRETE TONE BUTTON - CHANGES INPUT TRANSFORMER IMPEDANCE FOR VARYING TONE POLARITY SWITCH 48V PHANTOM POWER INDUCTOR BASED 3 BAND EQ LOW BAND BOOST/CUT - 35, 60, 110, 220 HZ MID BAND BOOST/CUT - 360, 700, 1600, 3200, 4800, 7200 HZ HIGH BAND BOOST/CUT - 10, 12, 16 KHZ ADDITIONAL HIGH BAND FREQUENCY EQ POINTS ADDED (COMPARED TO VINTAGE 1073) 4 POSITION INDUCTOR BASED HIPASS FILTER - 50, 80, 160, 300 HZ XLR MIC INPUTS (FRONT & BACK) LINE LEVEL TRS INPUT TS SEND/RECEIVE INSERT JACKS XLR & TRS LINE LEVEL OUTPUTS DIRECT IN, INSTRUMENT INPUT OUTPUT CONTROL LED LEVEL INDICATION FREQ RESPONSE 20HZ - 20KHZ +/-.5 DB 19/

Seminova em perfeito estado com tudo 100% funcionando, foi usada na igreja apenas durante a pandemia para transmitir os cultos online. A Mesa Behringer UB1222FX-PRO EURORACK oferece 8 canais sendo 6 mono e 2 estéreo ou 4 mono Mic/Line + 4 estéreo; 8 canais sendo 6 mono e 2 estéreo ou 4 mono Mic/Line + 4 estéreo; 4 inserts nos canais mono, 2 auxiliares de envio por canal, 2 auxiliares de retorno estéreo; Equalização de 3 bandas + low cut nos canais mono e 3 bandas nos canais estéreo; Equalizador gráfico estéreo de 7 bandas com FBQ (Feedback Detection System) selecionável para main mix ou monitor; 1 processador de efeitos digital estéreo de 24 bits; Integrado com 100 presets como reverb, delay, chorus, compressor, tube distortion, vinylizer, entre outros; Saída estéreo de control room independente e 1 saída para fones de ouvidos; Entrada Tape com Voice Canceler e saída para tape recorder com conectores RCA; Gain, Pan, Mute e phantom power nos canais mono; Faders de 60mm; Kit de instalação para rack de 19?; Dimensões: 97 x 345 x 334 mm; Peso: 4 kg. Características: Este mixer de 12 canais (4 mono, mais 4 estéreo) apresenta os nossos altamente aclamados pré-amplificadores de microfone IMP ?Invisible?, circuitos ULN Ultra Low Noise, mais o nosso novo sistema de detecção de feedback FBQ, um processador multi-FX de 24 bits e um auto -range. Os destaques incluem quatro state-of-the-art, estúdio-grade IMP ?Invisible? Mic Preamps com state-of-the-art 4580 amplificadores operacionais que fornecem o menor ruído e distorção mais ultra-alta gama dinâmica de 130 dB eo revolucionário, Sistema de Detecção de Feedback FBQ que exibe instantaneamente as freqüências de realimentação através dos LEDs do equalizador gráfico estéreo embutido de 7 bandas. Dados TécnicosEntradas MonoEntradas de Microfones (IMP Invisible Mic Preamp)Tipo XLR, electr. simétricas, circuito de entrada discretoMic E.I.N. (20 Hz - 20 kHz) 0 ? Resistência interna -134 dB / 135,7 dB ponder. de A 50 ? Resistência interna -131 dB / 133,5 dB ponder. de A 150 ? Resistência interna -129 dB / 130,5 dB ponder. de AResposta de frequência 15EURORACK UB1222FX-PRO Manual de InstruçõesMON/FX Sends Tipo jack mono de 6,3-mm assimétricoImpedância cerca de 120 ?Nível de saída máx. +22 dBuAux ReturnsTipo jack mono de 6,3 mm assimétricoImpedância cerca de 10 k?Nível de entrada máx. +22 dBuSaídas MainTipo XLR, electronicamente simétricaImpedância cerca de 240 ? simét. cerca de 120 ? assimét.Nível de saída máx. +28 dBuSaída de AuscultadoresTipo jack estéreo de 6,3 mm, assimét.Nível de saída máx. +19 dBu / 150 ? (+25 dBm)2-Trac k O utTipo cinchImpedância cerca de 1 k? Nível de saída máx. +22 dBuDSP Texas InstrumentsConversor 24-Bit Sigma-Delta, 64/128 x OversamplingTaxa de exploração 40 kHzDados do Sistema da Mistura Principal2RuídoMistura principal -?, -99 dB / -101 ponder. de AFader do canal -?Mistura principal 0 dB, -84 dB / -87 dB ponder. de AFader do canal -?Mistura principal 0 dB, -80 dB / -82 dB ponder. de AFader do canal 0 dB Alimentação de CorrenteTensão de rede 100 a 240 V~, 50/60 HzConsumo de potência 40 WFusível 100 - 240 V~: T 1,6 A HLigação à rede Ligação standard a frioDimensões/PesoDimensões (A x L x P): cerca de 97 x 345 x 334 mm (3,8 x 13,6 x 13,1/